London-based light artist Chris Bracey is currently displaying his works in his first solo exhibition at Scream Gallery in London titled 'I've looked up to heaven and been down to hell'.

The artist, who learnt his trade from his father, has manipulated his lights into incredible designs using themes which mix religious iconography, retro fairground bulbs and neon advertising styles.

Bracey has also provided dramatic installations for films such as Kubrick’s Eyes Wide Shut, Burton’s Charlie and the Chocolate Factory and the Batman films.

Many of Bracey’s works are self-produced neons, referencing popular culture – “Shine A Light in the Darkness of Your Soul” was written by Martin Gore from Depeche Mode and “There Is A Light That Never Goes Out” is from a song by The Smiths.

His work also draws upon iconic imagery such as tattoo designs and the sights of Las Vegas and Soho, London.

The exhibition is on display until the 1st June 2013.

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A new collaboration between Hyundai's Advanced Design Centre and Berlin-based WHITEvoid, an interactive art and design studio, has created Fluidic.

The project sees 12,000 suspended spheres acting as 3D pixels or voxels which are illuminated by an array of high-speed lasers. The magic happens thanks to 3D cameras that detect a person and react creating patterns and shapes based upon their movements.

The piece was part of Hyundai's involvement with Milan Design week, the third time it has participated in the show, and was housed at the Temporary Museum for New Design. The interactive sculpture was inspired by nature and its ability to continuously adapt to a changing context, which Hyundai think of as part of their general design philosophy.

On April 8, the day of the preview, the German choreographer Nikeata Thompson directed a special performance featuring art, music and dance in the presence of the press and opinion leaders. In the days dedicated to the public Jan Jelinek of SCAPE, a seminal figure in contemporary electronic music, gave a special performance describing the rhythmic confluence between design and sound titled "Fluidic Art meets Fluidic Sound ".

Whilst many would have missed the chance to experience this for themselves, as it was only open to the public on the last weekend of Milan Design Week, 13th -14th April, there are plans to take it on the road, updates to be posted on the Fluidic page.

Watch a video of the sculpture in action below and visit the Fluidic page for more information and images.

FLUIDIC - Sculpture in Motion from WHITEvoid on Vimeo.

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In Australia Kit-Kat decided to commemorate their limited edition white chocolate bar by holding back the last 50 and melting them.

But that isn't the full story, they got illustrator Mike Watt, to use the melted chocolate and crushed biscuits to make some incredible posters, using only a scalpel to remove any unwanted chocolate.

The posters won't last forever as after a while the hard chocolate will crack and break away from the canvas, but before all that happens they have managed to post them all up on their Facebook page. 

The designs have been called Kit-Kat White Final Fifty and are a great example of creative art and design.

Take a look at them here.

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An artist has decided to immortalise actions used with touchscreen products. In her project 'Multi-touch gestures', Gabriele Meldaikyte built five different sculptures that used the main motions associated with touchscreen devices.

The gestures, which seem almost second nature to most; including babies trying to swipe a magazine to read it, are also seen as a signature of the Apple iPhone.

Gabriele believes that this method of interaction with technology will be completely different in 10 years time. So she wanted to immortalise them by translating this interface language of communication into 3D objects which mimic every multi-touch gesture.

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haworth tompkins: the shed at the national theater, london from designboom on Vimeo.

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In New York City a project by Droga5 in collaboration with the New Museum has allowed inhabitants to listen to the sounds and memories of 1993. 

Part of an exhibition which highlights 1993 as a year of change for the city and the world titled "NYC 1993: Experimental Jet Set, Trash and No Star," the payphone experience gets users to call a special number from selected phones across the city, which in turn allows them to relive that location in 1993.

The phone project titled Recalling 1993 is a huge undertaking, using tour guides and locals to re-tell stories, and is the first use of the payphones whose future is facing some speculation since the age of the smart phone.

An interactive map of the payphones included can be found here. Below is a video outlining the project.

Recalling 1993 from Droga5 NY on Vimeo.

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Daniel Rozin's Mirrors seem to be pretty normal sculptures until you take a step closer, then they shift to mimic you. 

Currently exhibiting at Bitforms in New York until the 6th April, his 'mirror' pieces shift the patterns formed on them to mimic the viewers shape in real-time. This is done via cameras that detect shapes and cause the LEDs to change the pattern on the screen. Whilst not recreating a persons image perfectly, the screen will copy movements made until the person steps out of range.

The exhibition, called Angles, features some of the artists other kinetic work, which also interact with their surroundings and work on a principle of merging the geometric with the participatory.

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New York City's Pratt Institute's sculpture student Melanie Hoff wanted to find out, so she connected cables carrying 15,000 volts of electricity to a large plank of wood and then documented the results.

Surprisingly the areas around each contact point don’t simply catch on fire or burn in a circle, but rather traverse outward in a fractal-like pattern called a "Lichtenberg figure", similar to what happens when lightening hits an object. 

The amazing patterns created were captured in a video shown below.

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A new exhibition of Roy Lichtenstein's work has opened at the Tate Modern in London. The exhibition displays 125 pieces of work from the artist, including sculptures and, of course, his famous 'comic book' style paintings.

This is the first full-scale retrospective of this important and well known artist in 20 years and is the most definitive collection.

The exhibition, which opened on the 21st February, is co-organised by the Tate Modern and The Art Institute of Chicago and will run until 27th May 2013. 

Read more and book tickets here.

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For the 2012 Abu Dhabi Art Fair Japanese artist, Tadashi Kawamata, created a huge structure out of chairs.

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A Dutch designer, Roeland Otten, has decided that power substations and public toilets are too unsightly and so has given them a makeover.

The project has taken him to Rotterdam and Amsterdam, where he has used different methods to make the buildings blend in to the urban landscape. 

‘City Camouflage’ employs mosaic tiles, paint and photographic prints affixed to the outside of these small buildings to make them visually less offensive.

A variety of creative solutions has either helped them to blend in or provided the public with an insight into what they are actually for.

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Ever felt that the sound of water dripping was slightly rhythmic and musical? If not, you may want to reconsider after seeing the new installation at the 303 gallery in New York by American artist Doug Aitken.

The piece, called Sonic Fountain, is part of the gallery's 100 Years exhibition and features five rods that drip water into a pool below. The dripping is not random; it is released at special intervals to create a variety of patterns and shapes, with the sound amplified by the location and the pool itself having been specially excavated out of the floor of the gallery.

The piece is quiet and tranquil with a milky white glow coming from the pool and a breath like rhythm from the water drops.

Watch a video of the exhibition below.

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Giuseppe Licari, a Rotterdam-based Sicilian artist, has transformed a gallery space into an underground lair. His latest work is a network of tree roots hanging from the ceiling, resembling organic chandeliers, titled ‘humus’, which refers to the soil layer that is essential for trees and plants to grow.

The work gives that feeling of entering a world below ground, where you get an exclusive peak at a hidden sanctum, a space which normally gives life and stability to trees in a park or forest.

The central theme for his work is the relationship between humankind and nature, and growth and decay, as seen by the dead tree roots being displayed for inspection, along with the soil, taken from their urban environment in which they grew.

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